The Antient Town of Rye

Stand in the churchyard in Rye
and look from left to right,
this is what you will see.

It doesn't matter
which way you turn
it is heart-breakingly lovely.

MrM took me to Rye for a treat.
The sun shone all day
and we were happy.

what the commuter saw

FEBRUARY

It rained. And rained.

3 February
The man who sweeps Trafalgar Square

I tried to embrace the grey.
I really tried.

20 February
London Eye, South Bank

I looked for light,

6 February
Odeon, Leicester Square : Tube Strike day

waited for action,

10 February
Westminster from the Jubilee Bridge

searched for quirky signs,

19 February
Great Scotland Yard
Thanks to @Silverpebble for her tweet
"The sign warns of Mr Darcys in the road"

enjoyed unexpected angles,

20 February
Nelson's Column from St. Martin in the Fields

but a camera craves light.
Even a humble phone camera.

12 February
Horse Guards, after the storm

When clouds break, just for a moment,
it is the familiar scenes
which I enjoy the most.

5 February
National Gallery, Trafalgar Square

And I fall in love all over again
with the drama and energy of London
in the early morning.

26 February
City of London from Embankment Pier

Here is the News...

I broke Kindle the Second today.
By sitting on it. Tragic times.
I know this does not happen to books
but it is neither helpful nor kind
to mention it in my fragile state.
Kindle the Second was almost new.
Kindle the First sighed, faded,
and died quietly of desperation
halfway through 'The Luminaries'.
I sympathised.

I have lost my house keys.
No, I don't know where
because IF I knew where
I had last had them
they wouldn't be lost.
And I have already
turned the house
upside down, inside out
so I would appreciate it
if MrM didn't do it as well.
It is a bit tense here,

On a more postive note,
I have found a wonderful cobbler
inside the Royal Opera Arcade.
I am not going to tell MrM
in case he makes me take
his heavy black oxford shoes
for heels, soles and hobnails
but I will tell MissM.
It might be the only thing
I ever do which impresses her.

Triple Bill

Sarah Lamb and Ryoichi Hirano in 'Concerto'
© Dave Morgan

It is an exciting time to be watching ballet at the Royal Opera House. Principals Stephen McRae and Sarah Lamb form a scintillating partnership, exceptional athleticism combined with a star quality which transcends the rigorous demands of choreography. The energy of these young dancers is mesmerising, filling the vast gilt and plush auditorium, so that people around you are concentrating hard, following every nuance. We went to see 'Triple Bill' which contrasted classic works 'Rhapsody' by Frederick Ashton and 'Gloria' by Kenneth MacMillan with a new piece 'Tetractys' by Wayne McGregor. I am frustrated by how little I know about the history and technique but am grateful to the lovely Enthusiastic Professor who shares her passion for ballet so generously. The pictures illustrating this post are not from 'Triple Bill' but they capture the glow of McRae and Lamb which was obvious even to me as a novitiate, sitting high in the upper circle, absorbed in the complexities of the ballet.

Stephen McRae in 'Concerto’
© Johan Persson

P.S. I am also very frustrated by the fact that I do not own anything glamorous enough to wear to the ballet. I need more silk, more velvet, more pearls. I am working on that too.

winter trees

In the woods the evidence of storms is plain,
shattered stumps, hastily sawn trunks,
ripped branches, exposed roots.

I am reminded of the terrible storm of 1987
when I saw an entire grove uprooted,
and mourned for the loss of them
as they lay parallel to the wind blast.

The arboretum manager was philosophical
and said that it was an opportunity to replant
but that he would not make hasty decisions,
he would get used to the space first.

It feels as though my own world
has undergone a similar dramatic change,
the frenetic, noisy pace I was used to
replaced by a slower, quieter life.

Sometimes I am impatient with myself because
it is taking longer than I anticipated
to adjust to this new lifestyle
but I am trying to get used to the space
before filling my hard won days with activity.
It is good advice.

MrsM's Conscience speaks...

MrsM, we need to review your diary
and plan your wardrobe.
Pull yourself together,
it is no use looking wan...

1.
Day Out in Town
with Helen and Caroline.
A Smart Casual outfit.
Try not to dress identically.

2.
Trip to Rome.
There will be sightseeing.
A stylish coat is essential.

3.
Meeting the fabulous bb.
It has to be Black.
Period.

4.
MasterM's Graduation.
A smart day suit.
Don't drip tears on the facings.

5.
Please note you must invest
in good underpinnings
to maximise your assets.

6.
Your formal work event dress
should be modest and understated
It can be reused effectively
for your college reunion...

MrsM, please sit up straight.
You are not taking this seriously.
Poor preparation will be disastrous.

Jeans are not an option.
Go away and get busy.

*****

all illustrations by René Gruau,
an artist of prodigious creative energy,
whose dramatic style and imaginative designs
communicated haute couture to a mass audience

An Upheaval of Anemone

It's Friday, it's sunny,

the washing is on the line

for the first time this year.

Fresh sheets on the bed,

clean kitchen floor

and a cake in the oven.

I can sit in my chair

with a mug of hot tea

and enjoy the bright light.

The visiting cat is here,

silky orange and black.

Simple pleasures indeed.

Have a lovely weekend everyone.

Time Gone

The young man who has just got onto the train is very tall and dressed in a smart business suit. He has returned home from an exciting period of travel and finished his third day at a new job in the City. I know that because I had coffee with my friend Helen, his mother, on Tuesday. I look at this fine young man at the start of his adult life and remember a summer day twenty three years ago when I looked after his big sister while he was born. It was hot and I put the paddling pool on the lawn and she splashed in the sunshine with a baby MasterM. The spotlight of memory, so brilliant and unexpected, burned my heart slightly.

Dreaming in Indigo

Refresh (1999)

This is the work of Kenneth Noland (1924 - 2010),
an American Colour Field painter,
the geometric advances of Bauhaus
meeting the powerful colour of Matisse.

Blue Veil (1963)

Noland took the circular target form
and used it to develop his theories of colour.
His startling originality was based
on the stark simplicity of line
and dramatic bands of intense colour.

Untitled

Noland is quoted as saying:
"Usually I throw away
what I don't get right
the first time."

How did he know what was 'right'
when nothing like that had been done before?
It must have been pure self-belief.

Bridge (1962)

This week I have been preparing applications
for the Derek Hill Foundation Scholarship.
The applicants are artists over the age of 24
and they send 10 images of their work
in drawing or painting which I collate
into a presentation for the selection panel.
It is like having my own private art gallery.

Gift (1962)

Each of the artists has a distinct style,
a sense of creative direction.
It is their voice.

Where does self belief come from?
I have no idea but I am going to try
to absorb that powerful confidence
into my own artistic vocabulary.

Meanwhile...

in South Africa...

MasterM sends MrsM a photo of himself
with a very attractive young lady.
In a bikini.
On the beach.
MrsM is impressed.

MrsM
"Wow! You got lucky!
What's her name?"

MasterM
"Auntie Demelza (your sister)."

MrsM
"Oh!!
My Goodness!!
I had forgotten she was in Cape Town."

MrsM ponders emigrating to Antarctica.
It is going to be a loooong time
before she lives that one down.