Edna Clarke Hall (née Waugh)
entered the Slade School of Fine Art
as a precociously talented 14 year old.
She was a contemporary of Gwen and Augustus John.
She married the eminent lawyer, William Clarke Hall, in 1898
and they had two sons, Justin and Denis.
In the summer the Clarke Halls would move to Cornwall
and these idyllic holidays are recorded in numerous paintings.
Edna chose watercolour because 'it captured the moment'
and I am attracted to her work because it evokes
my own childhood on the cliffs and beaches of Cornwall.
Edna had a period of mental breakdown
as she tried to reconcile the conflict
between her world as wife and mother
and her inner creative life.
Reading about this has started a train of thought
that I know other people struggle with.
(1)
How do you find the space for creative expression in a family
- and in my case, working full time -
especially if your creative work
is not going to clothe or feed your family?
Gwen John painted portraits of haunting intensity,
but lived alone after the end of her relationship with Rodin;
it must have required immense self control by Edna Clarke Hall
not to compare her work to that of the single minded Gwen John
and regret her own limited opportunity to fulfill her early promise.
(2)
How do you understand the value of your own creative work?
Edna had a distinctive, fluid, sketchy style
which was quite different to anything that her peers were creating
- where did she find the self-belief to keep painting in this style?
I don't know the answers to these questions.
I wish I did.